Books:
- Cogniat, Raymond. Georges
Braque. New York: Harry N. Abrams, Incorporated, 1980.
This book is particularly
laid out well, grouping Braque’s artistic life in an easy to comprehend
format. It talks about Braque’s involvement in Fauvism and Cubism as
well as his
experiments. In talking about these movements, it gives brief
descriptions on featured painting from the respective movement.
- Mallen, Enrique. The
Visual Grammar of Pablo Picasso. New York: Peter Lang Publishing, Inc.,
2003.
This is a very technical book, looking
at the geometric aspects of Picasso’s cubist paintings. It goes into
detail about hoe the eye picks out different shapes, colors, and
overall designs.
The book explains in depth what impact Picasso’s paintings may have on
how the observer views a painting.
- Monod - Fontaine and E. A.
Carmean, Jr. Braque: The Papiers Collés. Baltimore:
Garamond/Pridemark Press, Inc., 1982.
This book portrays Braque as an innovator by showing his impact on
Cubism. It touches on Braque’s relationship with Picasso. Mainly, the
book focuses on Braque’s paintings and
how he came up with the designs and compositions.
- Rubin, Varnedoe, and Lynn
Zelevansky. Picasso and Braque: A Symposium. New York: Museum of Modern
Art, 1992.
The book goes through the paintings of Braque and Picasso and discusses
their importance related to Cubism. It also brings into focus the
influences from other artists like Cezanne and
Matisse. Included in the book are discussions between Rubin and other
topic related experts.
- Rubin, William. Picasso:
In the Collection of The Museum of Modern Art. St. Louis: Von Hoffmann
Press, Inc., 1972.
The book takes a look at Picasso’s
pieces (including sculptures) shown at the MoMA for the past 40 years.
The book describes a particular piece in a way to make it easier to
recognize the object being depicted. It also gives background
information on Picasso and his art.
- Wilkin, Karen. Georges
Braque. New York: Abbeville Press, 1991.
The book focuses on everything
that is Braque. It goes through his early works, involvement with
Fauvism, as well as his critical part in Cubism. The book also touches
on the interesting
relationship between Braque and Pablo Picasso.
Journals:
- Ettinger, Tom. “Picasso,
Cubism, and the Eye of the Beholder: Psychoanalysis and Cognitive
Psychology.” American Imago. 53. (1996) 53-89.
This article attempts to pick apart Picasso’s painting and sculptures
in order to understand Picasso’s mind. It also studies the audience’s
reception and how that may dissect Picasso’s
art. It is an intriguing article with a unique view on the cubist’s
pieces and personality.
- Gikandi, Simon. “Picasso,
Africa, and the Schemata of Difference.” Modernism - Modernity. 10
(September 2003) 445-480.
This article takes an interesting approach to Picasso and his
connection to African art. It focuses on being able to detach oneself
in order to understand the “Schemata of Difference.” It
includes paintings such as the famous Les Desmoiselles d’Avignon.
- Ivry, Benjamin. “Braque
Without Picasso.” Art & Antiques. 20 (May 1997) 66-71.
This
article was inspired by a Braque exhibit in London, England. IT
discusses some of Braque’s pieces and how they relate to Cubism and
Pablo Picasso. The article argues over who
should be credited for the creation of Cubism: Braque of Picasso.
- Kuspit, Donald. “Cubist
Hypochondria: On the Case of Picasso and Braque.” Art Forum
International. 28 (September 1989) 112-116.
The article praises Cubism for being “complete and radical.” Unlike
other articles, it doesn’t address much about the paintings,
themselves. Instead, it talks about the background and
evolution of Cubism between Picasso and Braque.
- Shone, Richard. “Madrid:
Georges Braque.” The Burlington Magazine. 144 (June 2002) 380-382.
The article discusses
Braque’s art as displayed in Madrid, Spain. It highlights a few key
pieces, most being from his Cubist period. The article briefly
describes what is going on in the
piece and how Braque achieved such results.
- “Three Cubist Works for
the Dallas Museum of Art.” Apollo (London, England). 148 (October 1998)
41-43.
This article touches on three cubist paintings by Picasso,
Braque, and Gris. It doesn’t’ give too much detail about the
technicalities about the paintings, focusing on the history of Cubism
instead. The article is mainly about Dallas acquiring these pieces and
sharing with the community.
Internet:
This article is focused on
Georges Braque, specifically his life and the events that lead to his
artistic style. It mentions the companionship between Braque and
Picasso and how both were
influenced by the artist, Paul Cezanne. It also talks about the
transformation of cubism into synthetic cubism, which Braque happily
assimilated.
This is the
Pablo Picasso website. It takes an extensive look at his life,
showcasing his journals and articles written about him. The website
also features his paintings as well as a
genealogy tree to help clarify some relationships.
This is a very in-depth article, noting the influences the
Impressionism gave to Cubism. It also takes a closer look at the works
of Picasso and Braque and what led them to such abstract
ideas. The article also takes apart the elements of Picasso and
Braque’s paintings, such as light, and the way it is used.
This article discusses the
friendship of Picasso and Braque. It also notes the differences between
their public lives and their beliefs on painting. It briefly addresses
the 1989 Cubism
exhibition at the Museum of Modern Art in New York. The main focus,
however, is the lives of the two cubism movement leaders.
Website
research and design by Emily Zalewski
Last Updated: 10.24.05